Programme

UNDERSTANDING MUNCH AND
THE ART AT THE TURN OF THE CENTURIES
BETWEEN THE MUSEUM AND THE LABORATORY

Date and Venue

Day 1 - Monday - March 21 2022

08:30-09:00 Opening session
KEYNOTE SPEAKERS - SESSION 1
09:00-09:30 Keynote Speaker – Patricia Berman
Why is the Scream always in the present tense?: Motif, materials, meanings.
09:30-10:00 Keynote Speaker – Petra Pettersen
The Scream and its motif.
SESSION 1 - ART HISTORICAL RESEARCH AND AUTHENTICATION STUDIES ON MUNCH AND HIS CONTEMPORARY ARTISTS
10:00-10:15 Mille Stein
Commetersche kunsthandlung's munch catalogue from 1906. the conditions of the paintings related to Rolf Stenersen's assertion about the "kill-or-cure" remedy.
10:15-10:30 Nica Gutman Rieppy
The challenge of Munch attribution: interweaving materials and imaging analysis, technical art history and provenance research.
10:30-11:00 Coffee break
11:00-11:15 Petru Ovidiu Tanasa
Authentication of a painting by Rene Magritte.
11:15-11:30 Hilde Bøe
Counting the museum's Munch paintings.
11:30-11:45 Václava AntuŠková
Originals vs.forgeries. Significance of characteristic pigments for unambiguous determination.
11:45-12:00 Jin Ferrer
Investigating Edvard Munch's paintings from Warnemude period.
12:00-12:15 Francesca Izzo
A secret ingredient in tempera formulations at the turn of XIX and XX centuries: the identification of flaxseed mucilage in paintings by Cesare Laurenti (1854-1936) and his pupils.
12:15-12:30 Discussion of oral presentations
12:30-15:00 Lunch break
Guided visit to Aula Magna - UiO included: 13:20-14:10
KEYNOTE SPEAKERS - SESSION 2
15:00-15:30 Keynote Speaker – Ida Bronken
Investigations into 20th century painting materials: using studio studies and archival research methodology to recreate material history.
SESSION 2 - MODELLING AND TECHNICAL ART HISTORY RESEARCH ON MODERN PAINTING MATERIALS
15:30-15:45 Inez van den Werf
Early Mondrian (1912-1914) painting materials
15:45-16:00 Elke Cwiertnia
A study of German printing inks from the early 20th century
16:00-16:15 Rika Pause
Colourful Avantgarde - A non-invasive exploration of the palette
16:15-16:30 Francesca Izzo
Between tradition and experimentalism - Technical studies on artistic materials and techniques of a series of paintings dating 1880-1930 from the Ca'Pesaro collection in Venice.
16:30-17:00 Coffee break
17:00-17:15 Charlotte Stahmann
Nano-computed tomography as a tool for morphological characterisation and validation of paint mock-ups.
17:15-17:30 Kidane Gebremariam
Elemental mapping and multivariate data analysis using portable xrf data: the cases of two paintings by Lars Hertervig.
17:30-17:45 Ekaterina Morozova
Titanium dioxide whites in XX century works of art: occurrences and composition study.
17:45-18:00 Abed Haddad
Separated at birth, reunited at MOMA: a multi-analytical exploration of Vincent van Gogh's starry night and olive trees.
18:00-18:15 Irina Kadikova
Primers of the modern Russian artists: composition, structure, and dating.
18:15-18:30 Discussion of oral presentations
Poster Sessions 1 and 2
19:15 Piano concert by soloist Dragos Cantea & Welcome cocktail

Day 2 - Tuesday - March 22 2022

08:30-09:00 Opening of the second day
KEYNOTE SPEAKERS - SESSION 3
09:00-09:30 Keynote Speaker – Tine Frøysaker & Francesco Caruso
Munch's monumental aula paintings.
SESSION 3 - CONSERVATION AND RESTORATION STUDIES ON MODERN PAINTINGS
09:30-09:45 Thierry Ford
Bridging the gap between The Munch Room display and the conservation narrative. A decision-making model.
09:45-10:00 Valeria Murgia
Sealing effect of aliphatic solvents and cyclododecane solutions during adhesion of flaking paint with methyl cellulose.
10:00-10:15 Antonio Candeias
Salt efflorescences on canvases by Edvard Munch - results and hypotheses for their formation.
10:15-10:30 Karolina Soppa
Flaking paint on absorbent canvas - approach, possibilities and challenges.
10:30-11:00 Coffee break
11:00-11:15 Charlotte Stahmann
Low-molecular-weight cellulose ethers as aerosols for the consolidation of cohesively weak paint layers.
11:15-11:30 Lena Stoveland
Re-visiting (re-assessing) the condition of Munch's monumental canvas paintings in the Aula of Oslo University.
11:30-11:45 Geert van der Snickt
Vincent van Gogh's variability in view: comparing the elemental make-up of two versions of Joseph Roulin (aka the Postman).
11:45-12:00 Jan Cutajar
Hyperspectral-based documentation of cleaning tests on Munch's monumental Aula paintings: PCA, NDI and NMF maps.
12:00-12:30 Discussion of oral presentations
12:30-14:30 Lunch break
Guided visits to Monumentalen Hall/Conservation sections: 12:30-13:00.
KEYNOTE SPEAKERS - SESSION 4
14:30-15:00 Keynote Speaker – Maria Perla Colombini
Molecular Fingerprints to tell the story of a painting.
SESSION 4 - AGEING AND DEGRADATION MECHANISMS IN MODERN PAINTING MATERIALS
15:00-15:15 Andrea Pataki-Hundt
Ageing and surface characteristics of natural and semi-synthetic adhesives for pigment consolidation.
15:15-15:30 Letizia Monico
A multi-technique approach to study the historical cadmium yellow paint tubes from the MUNCH Collection in Oslo.
15:30-15:45 Tomasz Lojewski
Lightfastness studies with MFT.
15:45-16:00 Jacob Thomas
The changing face of Munch's Scream.
16:00-16:30 Coffee break
16:30-16:45 Silja Meyer
Colour Change and Flaking in Blue Areas of Augusto Giacometti's "Farbkreis" (c. 1907).
16:45-17:00 Emma Chan
Light-induced color changes on "The Scream" versions in the Munch museum collection.
17:00-17:15 Nathalie Debono
Not just simple water drips: the case of an early 1900s oil painting on stone.
17:15-17:30 Laura Fuster
The role of pigment-medium interaction in the film forming, ageing and degradation mechanisms of modern oil white paints.
17:30-17:45 Élise Pheulpin
Asbestos cement panel paintings - Degradation issues.
17:45-18:00 Eva Tveit & Erduran
Mechanical loads caused by handling, storing in deposit, and in exhibition, with main focus on Munch's porous paintings.
18:00-18:15 Discussion of oral presentations
Poster Sessions 3 and 4
19:15 Dinner

Day 3 - Wednesday - March 23 2022

08:30-09:00 Opening of the last day
KEYNOTE SPEAKERS - SESSION 5
09:00-09:30 Keynote Speaker – Costanza Miliani
E-RIHS, the Pan-European infrastructure for heritage science.
09:30-10:00 Keynote Speaker – Klaas Jan van den Berg
The royal talens production archive. Explorations in support of paintings studies.
SESSION 5 - HISTORICAL ART REFERENCE COLLECTIONS AND THEIR STUDY
10:00-10:15 Irina Sandu
Colours, brands, labels and other fancy stuff in the original art historical materials collection at Munch.
10:15-10:30 Patrick Dietemann
History and composition of Fritz Behrendt's artists paints Behrendt-Farben (1903-1939).
10:30-11:00 Coffee break
11:00-11:15 Ljiljana Puskar
Studies on artist's materials using far-infrared spectroscopy.
11:15-11:30 Hartmut Kutzke
A study in violet.
11:30-11:45 Milene Gil
The painting materials of Almada Negreiros (1893-1970): analysis of powder pigments found at his studio.
11:30-11:45 Erika Sandbakken
Powdery pigments from original materials collection of Munch: conservation treatment and analytical characterization.
11:45-12:00 Joy Mazurek
Binding media analysis of tube paints from Edvard Munch.
12:15-12:30 Discussion of oral presentations
12:30-14:30 Lunch break
Guided visits to Monumentalen Hall/Conservation sections: 12:30-13:00.
KEYNOTE SPEAKERS - SESSION 6
14:30-15:00 Keynote Speaker - Nikita Mathias & Christian Sivertsen & Signe Endresen
Poison. Sinergies between art meditation, academic research and applied sciense.
SESSION 6 - MUSEUM EDUCATION AND DIGITAL INNOVATION FOR DISSEMINATION OF SCIENTIFIC RESEARCH
15:00-15:15 Lin Stafne-Pfisterer/Ingvild Hammervol
Digital dissemination as part of a permanent exhibition.
15:15-15:30 Sofia Pescarin
Beyond colours in artworks: an interactive media participatory design perspective.
15:30-15:45 Sivert Thue
Constructing new "Munchs": does the database in a monographic museum have a special significance in the social construction of an artist?.
15:45-16:00 Lucian Ratou
Revealing hidden early compositions by Hans Mattis-Teutsch using corroborated imagistic and spectroscopic techniques.
16:00-16:30 Coffee break
16:30-16:45 Aneta Pawlowska
Museum education and digital innovation as a medium of integration for non-standard art audiences. case studies from Lódź, Warsaw and Poltava.
16:45-17:00 Irina Sandu
Scientific research on the Edvard Munch's collection: past - present - future.
17:00-17:15 Discussion of oral presentations
Poster Sessions 5 and 6
Closure of day 3 and visit to National Museum in Oslo
MUNCH Museet HERCULES Laboratory Nasjonalmuseet Univesity of Oslo Norwegian University of Science and Technology