Bibliography & Publications

  • I.C.A SANDU, K. J VAN DEN BERG, A. CANDEIAS, E. GODHE SANDBAKKEN, E. STOREVIK TVEIT, H. VAN KEULEN, CHEMICAL ANALYSIS IN CULTURAL HERITAGE. Part II. Physicochemical approaches in art and archaeology investigation (chapter 5 - Multi technique and multiscale approaches to the study of ancient and modern art objects on wooden and canvas support), Eds. Inez van den Werft and Luigia Sabbatini, Physical Sciences Review, de Gruyter Publ., Published Online: 2019-01-10| DOI: https://doi.org/10.1515/psr-2018-0016
  • E. Doehne, Salt Weathering: A Selective Review, Geological Society Special Publication Natural Stone, Weathering Phenomena, Conservation Strategies and Case Studies. Vol 205, 51-64.
  • Ordonez, E. & Twilley, J. 1998. Clarifying the Haze, Efflorescence on Works of Art. Analytical Chemistry, 69 (13): 416A–22A.
  • Ferreira, E.S.B., Boon, J.J., Stampanoni, M. & Marone, F. 2011. Study of the Mechanism of Formation of Calcium Soaps in an Early 20th Century Easel Painting with Correlative 2D and 3D Microscopy. In: J. Bridgland & C. Antomarchi, eds. ICOM Committee for Conservation, 16th Triennial Meeting, Preprints. Paris: ICOM-CC, pp. 1604–8.
  • Van Loon, P. Noble, A. Burnstock, Ageing and deterioration of traditional oil and tempera paintings, in: J.H. Stoner, J.H. Rushfield (Eds.), Conservation of Easel Paintings, Routledge, London, 2012, pp. 214–241
  • J.H. Stoner, J.H. Rushfield (Eds.), Con-servation of Easel Paintings, Routledge, London, 2012, pp. 161–185.
  • E. Catelli, F.G. Bănică A. Bănică, Salt efflorescence in historic wooden buildings, Herit Sci (2016) 4:31 DOI 10.1186/s40494-016-0099-9.
  • A.B. Paterakis, 1999. Those Evasive Salt Crystals. In: J. Bridgland, ed. ICOM Committee for Conservation, 12th Triennial Meeting, Preprints. London: James & James (Science Publishers) Ltd, pp. 799–802.
  • M. A. Moussa, N. Kantiranis, K. S. Voudouris, J. A. Stratis, M. F. Ali and V. Christaras, The impact of soluble salts on the deterioration of pharaonic and coptic wall paintings at Al Qurna, Egypt: mineralogy and chemistry, Archaeometry 51(2):292 - 308 · April 200, DOI: 10.1111/j.1475-4754.2008.00422.x.
  • Boccia Paterakis, M. Steiger, Salt efflorescence on pottery in the Athenian Agora: A closer look , Studies in Conservation 2015 VOL. 60 NO. 3, 172-184.
  • Bertholon, R., 2007. "Archaeological metal artefacts and conservation issues: long-term corrosion studies. Corrosion of metallic heritage artefacts". Dillmann, P. et al. Cambridge, Woodhead Publishing Lmd, p. 31-40.R. Hendrickx, G. Desmarais, M. Weder.
  • E.S.B. Ferreira, D. Derome, Moisture uptake and permeability of canvas paintings and their components, Journal of Cultural Heritage, 2016,http://dx.doi.org/10.1016/j.culher.2015.12.008.
  • R. Hendrickx, E. S.B. Ferreira, J. J. Boon, G. Desmarais, D. Derome, L. Angelova, D. Mannes, A. Kaestner, H.P. Huinink, K- (C.J.) Kuijpers, B. Voogt & E. Richardson, Distribution of moisture in reconstructed oil paintings on canvas during absorption and drying: A neutron radiography and NMR study, Studies in Conservation, 10 Jun 2016, http://dx.doi.org/10.1080/00393630.2016.1181899.
  • K. Zehnder, & A. Arnold, 1989. Crystal Growth in Salt Efflorescence. Journal of Crystal Growth, 97: 513–21.
  • L. Dei, M. Mauro, G. Bitossi, Characterization of salt efflorescences in cultural heritage conservation by thermal analysis, Thermochimica Acta, Volume 317, Issue 2, 9 July 1998, Pages 133–140, http://doi.org/10.1016/S0040-6031(98)00367-0.
  • G. Silvester, A. Burnstock; L. Megens ; T. Learner ; G. K.J. van den Berg, A cause of water-sensitivity in modern oil paint films: The formation of magnesium sulphate, STUDIES IN CONSERVATION, Volume: 59, Issue: 1, Pages: 38-51, 2014, DOI: 10.1179/2047058413Y.0000000085.
  • E. Gohde Sandbakken, E. Storevik Tveit, Edvard Munch’s monumental sketches (1909–1916) for the Aula of Oslo University, Norway: Conservation issues and treatments, Studies in Conservation 2012 VOL. 0 NO. 0 1, 2012, DOI 10.1179/2047058412Y.0000000030.
  • Singer, & C. Liddie, 2005. A Study of an Unusual Degradation on a Seascape Painting with the use of Zinc White Pigment. Paper Conservator, 29: 5–14.
  • Otero, D. Sanches, C. Montagner, M. Vilarigues, L. Carlyle, J. A. Lopes and M. J., Melo, Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art, J. Raman Spectrosc. 2014, 45, 1197–1206.
  • M. Koyano, 1987. A Preliminary Report on the Examination of Crystals Found on Oil Paintings in Japan Using Non-Destructive X-Ray Diffraction. In: K. Grimstad, ed. ICOM Committee for Conservation, 8th Triennial Meeting Preprints Melbourne. Los Angeles: Getty Conservation Institute, pp. 59–65.
  • F. Elif Genceli, M. Lutz, A. L. Spek and G.-J. Witkamp, Crystallization and Characterization of a New Magnesium Sulfate Hydrate MgSO4 · 11H2O, CRYSTAL GROWTH & DESIGN 2007, VOL. 7, NO. 12, 2460–2466
  • M. G. MacDonald, M. R. Palmer, M. R. Suchomel, and B. H. Berrie, Reaction of Pb(II) and Zn(II) with Ethyl Linoleate To Form Structured Hybrid Inorganic−Organic Complexes: A Model for Degradation in Historic Paint Films, ACS Omega 2016, 1, 344−350, DOI: 10.1021/acsomega.6b00075.
  • J. J. Hermans, K. Keune, A. van Loon and P. D. Iedema, The crystallization of metal soaps and fatty acids in oil paint model systems, Phys. Chem. Chem. Phys., 2016, 18, 10896—10905.
  • Price, An Expert Chemical Model for Determining the Environmental Conditions Needed to Prevent Salt Damage in Porous Materials. Protection and Conservation of the European Cultural Heritage, Project ENV4-CT95–0135 (1996–2000) Research Report No 11, European Commission Directorate-General Science, Research and Development. London: Archetype Publications, Ltd, 2000.
  • V. Baukh, H.P. Huinink, O.C.G. Adan, L.G.J. van der Ven, Natural versus accelerated weathering: Understanding water kinetics in bilayer coatings, Prog. Org.Coat. 76 (2013) 1197–1202
  • Gohde, Sandbakken, 2017, Crystal formation on Edvard Munch’s Aula sketches, Proceedings for the Futurahma Conference, University of Pisa.
  • Gohde Sandbakken, and J. Boon, 2015. An analytical survey of painted areas in poor condition in Munch’s first monumental sketch for the Researchers, in Public Paintings by Edvard Munch and his contemporaries – Change and conservation challenges. T. FRØYSAKER, N. STREETON, H. KUTZKE, F. HANSSEN-BAUER and B. TOPOLOVA-CASADIEGO (eds.), Archetype Publications, London, 181-196.
  • B., Singer, T., Aslasby, B. Topolova-Casadiego, and E. S. Tveit, 2010. Investigation of Materials used by Edvard Munch. Studies in Conservation, 55: 274-93.
  • R. Wolbers, Cleaning painted surfaces. Aqueous methods, Archetype Publications, London, 2000.