| 09:00-10:00 | Registration and check-in at Colégio do Espirito Santo (Auditorium 131) |
| 10:00-10:30 | Opening cerimony |
| 10:30-11:00 | Plenary Lecturer 1 - Mariana Pinto dos Santos
Almada Negreiro's work under, for and about the Portuguese dictatorship of the Estado Novo. |
| 10:30-11:00 | Coffee break |
| S1: Colour history and symbolism in the 20th and 21th centuries | |
| 11:30-11:50 | 01. On the study of Porto's murals (1930-1970): state ofthe art and preliminary results.
Monteiro, P. T., Vieira, E., Gil, F., and Castro, L. |
| 11:50-12:10 | 02. Decoding a drawing: Igreja de Nossa Senhora de Fátima glass works colour scheme.
Simão Palmeirim |
| 12:10-12:30 | 03. Colours, inspiration, and history behind Gilda Gelmini Neuberger (1811-2011).
Gláucia Wanzeller, Teresa Ferreira, Milene Gil |
| 12:30-14:00 | Lunch |
| S2: Old and new colour materials and their origin/manufacture/uses | |
| 14:00-14:20 | 04. Madder lakes; Reproduction of recipes, chromatic variation and denominations.
De los Reyes, B. (1), Chércoles Asensio, R. (2), San Andrés Moya, M. |
| 14:20-14:40 | 05. Sustainable glasses for art and design.
Andrea Ruivo |
| 14:40-15:00 | 06. Andy Warhol and His Amazing Technicolor Shoes: Characterizing Early Synthetic Dyes used in À la recherche du shoe perdu and Dr. Ph. Martin's Radiant Concentrated Watercolors.
Abed Haddad, Toni-Nakie-Miller, Josephine Jenks, Glen Kowach, Art Kaplan |
| 15:00-15:20 | 07. Complementary study of 27 paintings from MUNCH collection using MFT and pXRF techniques.
Irina Crina Anca Sandu, Tomasz Lojewski, Inger Grimstad |
| 15:20-15:40 | 08. Non-destructive analysis of the early Isolani Collection at Pratt Institute.
E. Del Federico, A.Yong, A.Steinfeld, E.Liporace, A. Jerschow, N. Barbi, L. Banner, and R. Miracco |
| 15:40-16:00 | 09. Dartecor - Handmade Colors.
Leonel da Costa |
| 16:00-16:30 | Coffee break |
| 16:30-17:00 | Plenary Lecturer 2 - Katherine Schilling
What We Can Learn from Each Other. |
| 17:00-18:00 | Poster Session |
| 18:30-20:30 | Alentejo de honra with music (welcome reception) |
| 09:00-09:30 | Plenary Lecturer 3 - Claudia Nunes, Carolina Barata, Maria Aguiar, Roberto Carlos da Conceição Ribeiro, Rosana Elisa Coppedê Silva, Caroline Martins de Souza e Michelle Teixeira Cassiano
Children's Games - A large painting by Candido Portinari at Gustavo Capanema Palace - RJ, Brazil |
| S3: Colour deterioration (origin, types, mechanisms) | |
| 09:35-09:55 | 10. Degradation of pigments in street murals: in-situ and laboratory Raman studies.
Bersani Danilo, Laura Fornasini, Rousaki Anastasia, Vandenabeele Peter, Berzioli Michela, Saccani Ilaria |
| 09:55-10:15 | 11. Acrylic colours for peace: study and conservation of an outdoor mural painting.
Nathael Cano, Ricardo Medina, María Fernanda Urbina, Valeria López |
| 10:15-10:35 | 12. Colours of modernism in Edvard Munch's paintings from Warnemünde period.
Irina Sandu, Jin Ferrer, Francesca Rosi, David Buti, Letizia Monico, Donata Magrini, Claudio Costantino, Laura Cartechini, Aldo Romani, Costanza Miliani, Francesco P.Romano, Claudia Caliri, Claudia G. Fatusso, Giulia Privitera, Zdenk Preisler, Raffaella Fontana, Anna Impallaria, Emanuela Grifoni, Marco Raffaelli, Jana Striova, Christine Andraud, Aurélie Tournié |
| 10:35-10:55 | 13. Study of influence of zinc white pigment in Aurélia de Sousa self-portraits.
Maria Aguiar, Carolina Barata and Ana Cabral |
| 10:55-11:20 | Coffee break |
| 11:20-11:40 | 14. An Insight into the Green Deteriorated Mural Paint Layers at the Maritime Station of Alcântara (Lisbon): first results of an Archeometric Study.
Andrea Acevedo Mejía, Mafalda Costa, Peter Vandenabeele, Luis Dias , Ana Manhita, Milene Gil |
| 11:40-12:00 | 15. Preliminary diagnostic Survey of 1947-1949 Paint Layers at the Maritime Station of Rocha Do Conde De Óbidos, Lisbon: A Multi Analytical Research.
Keelie S. Rix, Luis Dias, Sara Valadas, Ana Cardoso, Ana Manhita, Milene Gil |
| S4: Science and Technology applied to colour studies | |
| 12:00-12:20 | 16. Images study and material characterization of the double-sided painting The Cellist and Portrait of Brancusi by Amedeo Modigliani.
Greta García, David Juanes |
| 12:20-12:40 | 17. Cobalt pigments and the spectrum of colours they create.
Elena Davanzo, Gianluca Pastorelli |
| 12:40-13:00 | 18. António Carneiro's painting collection from the Museu da Cidade do Porto: Study and conservation in the 150th anniversary of the painter's birth.
Carolina Barata, Maria Aguiar, Ana Cabral |
| 13:00-14:00 | Lunch |
| 14:00-14:20 | 19. XIX- XX century inks: disclosing the composition and the degradation mechanism of dyes in historical collection.
Adele Ferretti, Ilaria Degano, Stefano Legnaioli, Beatrice Campanella and Maria Perla Colombini |
| 14:20-14:40 | 20. Color and technique in the contemporary painting collection of the Universitat de València, Spain. The landscapes of the painter Manuel Moreno Gimeno.
Ma. Luisa Vázquez de Á. Pascual, Ester A. Pagán, Álvaro S. García, Susana H. Sala, Lucía R. Iranzo, Juan Carlos I. Garay |
| 14:40-15:00 | 21. The colors of Ukrainian baroque icon painter Jov Vasilijevič and his influence to Serbian icon painting.
Daniela K. Crkvenjakov, Theodore Ganetsos, Velibor Andrić and Olivera Klisurić |
| 15:00-15:20 | 22. Comparative study of two multispectral imaging systems on the Arxiu Valencià del Disseny interior design samples.
Álvaro Solbes García, Mar Gaitán Salvatella, Javier M. Fernández and Ester A. Pagán |
| 15:20-15:40 | 23. Colour and technique in a 1969-Portuguese painting A portrait of 'Faiunça' by Armando Matos Simões (1933-)
Vasco Montenegro, Agnès Le Gac, Helena P. Melo, Sara Valadas, Ana M. Cardoso, António Candeias |
| 15:40-16:00 | Coffee break |
| 16:00-16:20 | 24. Traditional and modern colours in Gino Severini's murals.
Patrizia Moretti, Stefan Zumbühl, Francesca Piqué |
| 16:20-16:40 | 25. Solid state NMR depth profiling and spectroscopy of paint layers in support of the conservation of a white sculptural environment by Louise Nevelson.
Pierre Taugeron, Sullivan Bricaud, Cindie Kehlet and Jens Dittmer |
| 16:40-17:00 | 26. Unveiling a World of Dreams: A Multi-Technical Analysis of The Pink Bows (1937) by Paul Delvaux
Eveline Vandeputte, Geert van der Snickt and Nina Deleu |
| 17:00-17:20 | 27. Colonization of stones: Raman spectroscopy of microbial pigments, from rock outcrops to monuments.
Jan Jehlička, Adam Culka, Peter Vandenabeele, Danilo Bersani, Antonio Candeias |
| 17:20-17:40 | 28. Macro-Raman mapping: a novel approach in the analysis of art objects.
Anastasia Rousak and Peter Vandenabeele |
| 17:40-18:10 | Plenary Lecturer 4 - Leslie Rainier
David Alfaro Siqueiros in Los Angeles, 1932. |
| 18:10-19:10 | Workshop on micro fading tests (MFT) - Tomasz Łojewski |
| 09:00-09:30 | Plenary Lecturer 5 - Mercedes Sánchez-Pons
The conservator-restorer and the Street Art: the questions are on the table. The Valencian Old City Case. |
| S5: Challenges for conservation-restoration | |
| 09:30-09:50 | 29. A new challenge for the restoration of chromatic identity of the M'zab Valley, Algeria.
Yacine Gouaich, Antónia Fialho Conde |
| 09:50-10:10 | 30. Colour in Modern Architecture of Olivetti's Town.
Enrico Giacopelli and Marco Zerbinatti |
| 10:10-10:40 | Coffee break and Poster Session |
| 10:40-11:00 | 31. Street art and cultural heritage. Conceptual issues and operational choises.
Maria Vitiello |
| 11:00-11:20 | 32. The color and rehabilitation of architectural surfaces as heritage value and its contribution to the image of historical cities: the case of the National Theatre of São Carlos.
Andreia Santos, João Pernão, José Aguiar |
| 11:20-11:45 | Closing session |
| 12:00-13:30 | Lunch |
| 14:00-17:00 | Guiding visit to the Maritimes Stations, Lisbon |
| P1 | Proposal of a methodology to evaluate the incidence of cleaning treatments on pictorial surfaces.
Livio Ferrazza, David J. Barber, Yolanda F. Sales and Mª Teresa P. Valls |
| P2 | Cut flowers by Joaquín Sorolla, the discovery of an original and its forgery.
Greta García, David Juanes, Livio Ferrazza and Jose Madrid |
| P3 | The luminescent rainbow.
Ana Pinheiro, César A. T. Laia, Sandra Gago and Andreia Ruivo |
| P4 | Restoration of damaged religious painting painted on linoleum.
Rūta Kasiulytė |
| P5 | The secret of blue smalt.
De los Reyes Félix, Patricia; De los Reyes Félix, Beatriz |
| P6 | Analysis of misconceptions about colour and development of educational resources for teachers-in-training.
Guadalupe Martínez-Borreguero and Francisco L. Naranjo-Correa |
| P7 | Colours of the Tijomel ceramic manufacture (1941-1992): characterization of the ceramic pigments.
Mathilda L Coutinho, Silvia Pereira, Catarina Geraldes, Milene Gil, Silvia Bottura Scardina, João Pedro Veiga and Andreia Ruivo |
| P8 | Reveal the Original Green: An Interior Investigation on An Italian Colonial Architecture in Tianjin, China.
Chang Jingjing, Ren Meng, Yang Xiao, Zhang Wei and Lei Yong |
| P9 | "Ce n'est pas la colle qui fait le collage": investigating the materials in two works of Max Ernst.
Stefano Legnaioli, Giulia Lorenzetti, Luca Nodari, Luciano P. Buemi and Patrizia Tomasin |
| P10 | The depiction of the female figure in the Katsigra Museum through the perspective of the most eminent representatives of the School of Fine Arts in Athens in the first half of the 20th century.
Konstantina Romantzi, Theodore Ganetsos and Ioanna Deligianni |
| P11 | GeoPAINT [LX] Project: GIS of contemporary mural paintings from “MURO_LX” Festival in Lisbon (Portugal).
Ana Sofia Lopes, Frederico Henriques and Ana Bailão |
| P12 | The colours of deception: marble imitations in Alentejo.
Patricia Monteiro |
| P13 | Revisiting colours and shapes of a "Memory fort": A Challenge for conservation-restoration.
Antunes,Vanessa, José Cruz,Carla Tomás,João Serra, Rosário Veiga, Marluci Menezes and Luisa Carvalho |
| P14 | The Colourful Planisphere Painting of Almada Negreiros (Part1): phases of execution, technical and material details. Some observations.
Milene Gil, Yigit Helvaci, Ana Cardoso and Mafalda Costa |
| P15 | Studies of the long-term effect of nanoconsolidants on mural paint layers with a lack of cohesion.
Penka I. Girginova, Cristina Galacho and Milene Gil |
| P16 | Testing advanced 2 and 3D imaging techniques on Almada Negreiros murals technical and material studies.
Milene Gil, Marius Araújo, Jani Santos e Carlo Bottaini |
